Thursday, December 25, 2008

Dyeing Wool with Fiber Reactive Dyes



Ok, I've been wanting to get a handle on dyeing wool with Procion fiber reactive dyes for a long time. I knew it could be done. I just hadn't got around to trying it out. I dye rayon chenille and cottons and other cellulosic fibers with fiber reactive dyes all the time. I've got that down, no problem, and I really didn't want to start dyeing wool and silk and soy silk with a whole different class of dyes. Lazy, maybe, but definitely more practical.

I've been on line a lot, searching for other dyers' experiences with wool and fiber reactive dyes, but found very little. I finally found some instructions on the Pro Dye website on how to do this, and this week I've had some time off, so yesterday I gave it a go.

I followed the Pro Chemical & Dye directions up to a point. I wetted the wool in water and synthrapol, and then I put it into the vinegar soak. I mixed a solution of water and urea to mix with the dye powders. I mixed four colors and I used the strength of dye recommended: 2 tsp. of dye to a cup of water. In retrospect this was way too dark and I knew it probably would be, but I wanted to try it their way first.

I painted each skein with the dye paints. I didn't use a thickener paste, and I didn't use the wool assist (whatever that is). Each skein was wrapped in its own saran wrap and rolled up nicely. Then I steamed the skeins, one at a time in a crockpot for 2 hours on high setting. I do all this in the basement, and it was a good thing, because the smell was pretty strong.

I let the hot skeins cool, and then rinsed them out very gently. I didn't do an ammonia rinse or a vinegar rinse. Chemically, I don't know why those steps would be necessary. I soaked the skeins in Eucalan, which I love, and the excess dye rinsed out fairly quickly. The skeins feel really soft, probably softer than before they were dyed.

The colors I used were from Dharma. They are teal, avocado, kilt green, and olive drab (which is really a nice sage green). From the picture, they look pretty dark and this is because I used way more dye powder than I usually do. I thought the color shifting on wool was a nice variation.

The wool I used was recycled from a sweater I bought at the Goodwill, so this "mad scientist" dye experiment had virtually no cost except my time, and I'm really pleased with the results. Now I know I can get good results with my fiber reactive dyes, and incorporate new fibers into a variation of my usual dye routine. Sweet!

Saturday, December 20, 2008

Chenille on the Loom


Chenille loom 1
Originally uploaded by sapoague
I've got a small shop on Etsy. Nothing huge, a few skeins of handpainted yarn, a few scarfs, and a couple of books that I found at the local library book sale that are great finds and duplicates of books in my own weaving library.

I go along, I have a few sales every once in a while. Nothing huge. It's just fun to connect with the craft community and feel "out there" in the online world, as opposed to my day job at the local university.

Then, I got a couple of special orders right before Christmas, which is great! Chenille scarfs are my bread and butter, so to speak. I sell some at a great crafts gallery in Iowa City every year, and they keep me tuned in to the things I love about fiber. Color. Texture.

Here is the first of my special orders on the loom. I will be finishing the weaving today, and hopefully doing the rest of the finish work tomorrow. Weather permitting.

Monday, December 15, 2008

Moo Cards Are Here


Moo Cards
Originally uploaded by sapoague
On Saturday I fiinally got my Moo Mini Cards in the mail, all the way from London. Inspired by curiousweaver, I decided to go ahead and order these fun little cards. I'll probably enclose one whenever I sell something from my shop on etsy, and I suppose I should schlep a few in my purse just in case....

Saturday, December 6, 2008

Computers and Weaving Redux

Many operating systems ago I was working on a Master's degree in Craft Design at Iowa State University and my focus was on computers and the handweaving process. There were lots of little computers on the market and lots of little homemade programs that generated drawdowns. I worked with an Apple IIe computer and a program marketed by AVL Looms. I also worked with a program on an Atari computer that ran an interface with a Macomber Loom in the weaving studio at my university. (Remember Atari computers? They weren't just for gaming back then!)

The summer before I graduated I wrote an article for The Weaver's Journal about designing from a motif and generating a drawdown from the fabric analysis functions available. The drawdown was a design for block weaving and the great wealth of threadings to pick from based on the block schematic. I thought I would share that article with you all. It was published in the Spring 1987 issue of that magazine if you still have it stashed away somewhere.

Also, I scanned the slides I made of the weaving I did as research for this article:










Next up: I will be exploring fabric analysis using my new weaving software, Pixeloom. I will be comparing how this new program approaches the same schoolhouse motif. Also, I think I'll dip a bit into the importing graphics feature of the program as well. I like a challenge....

[FYI: Turns out the only way I could figure out how to post the PDF of this article in Blogger was to find an outside host for it. Apparently Google Docs doesn't do PDF's either. But the Blogger Help forum directed me to Scribd, which is hosting my article for free! Just click on the link below, which will take you to Scribd and you can read the article there, or email it, or download it. Whatever!]
Schoolhouse